Martina Hanáková, Itzana Dobbelaere, Hélène Sechehaye

• The sersera of the guembri: anthropological approach to the device in the context of Gnawa diasporas in Brussels and Morocco (s. 7–27)

Neda Kolić

• The Sound of Yellow: Kandinsky’s yellow colour in von Hartmann’s and Schnittke’s music (s. 29–45)

Marija Simonović

• The phenomenon of reciprocal mirroring of Bachelard’s study L’eau et les rêves:essai sur l’imagination de la matière, Debussy’s Des pas sur la neige and Thaulow’s La Rivière Simoa en hiver (s. 47–60)

Marlene Priller

• An examination of Clara Schumann’s musical salons and the research problems that occurred (s. 61–74)

Shorena Metreveli

• The musical and liturgical aspects of the great feasts of the Church services inserted in the Great Lent (s. 75–87)

Dominika Micał

• Rhetorical figures and rhetorical strategies in The Minotaur by Harrison Birtwistle (s. 89–113)

Marek Dolewka

• Silence as a symbol of death in the reflection of Gisèle Brelet and Tōru Takemitsu (s. 115–128)

 

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